Author Archives: Marcia

Rolling Stone: Smoking Section

Bill Withers Ascap Awards

We saw some killer shows in the last couple of weeks: The Radiohead and Kings of Leon sets at All Points West were brilliant; Wilco debuted a ridiculous new song at Lollapalooza while wearing rad Nudie suits; and Bob Dylan dazzled in Brooklyn. But sometimes we miss one. In this case it was the Bill Withers Tribute, part of the Celebrate Brooklyn series, which drew folks like Jim James (”Ain’t No Sunshine”), Nona Hendryx (”Lovely Day”) and others to pay tribute to the reclusive soul genius. And for the first time in decades, Withers himself stepped onstage, to sing “Grandma’s Hands.”

Wax Poetics Featured Article

Bill Withers was a soft-spoken musical maestro who quietly took over the music industry in 1971 with his unassuming B-side, “Ain’t No Sunshine.” Brazil’s “Black Rio” scene wasn’t so unassuming; young Black Brazilians saw their reflections in American funk music and soon Rio DJs spurred a homegrown Brazilian soul and social movement.

SONGFACTS Interview

Bill-Withers-Headshot-4

The understated Bill Withers is a Soul music legend, respected for his elegant songwriting and an exceptional voice that compliments his words. We tried to get a sense for why his songs have had such impact, and were treated to a thought-provoking discussion on transference, the X-factor, and making the complicated simple.

Sun Spin: Bill Withers

Bill Withers Live Carnegie Hall

Captured on a rainy night in 1972, Bill Withers Live At Carnegie Hall is everything a tremendous live document aspires to – intimate yet bold, seductive and entertaining, a frozen piece of time that retains a part of the evening’s spark. Most artists are already at a significant disadvantage going up against Bill Withers in the early ’70s, where his mingling of acoustic guitar, funk flavors, tough pop instincts and populist anthems was Paul Simon lethal, as witness by the Top 10 debut of his first single, the immortal “Ain’t No Sunshine” – a classic covered many times but never with the same flair or feeling of Withers’ original.